IN AN AGE which commends novels by citing their “accessibility,” one praises James Joyce’s Ulysses before a good many deafened ears. This singular 1922 work demands much from the reader, but the reward of one’s efforts is enormous. The highest tribute I can pay is this: I derive pleasure beyond what I can describe from the time I’ve lived among the fictional citizens of Dublin on June 16, 1904. I feel a bit sorry for anyone who doesn’t, or can’t, understand why I say this.

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