Tag Archives: Obituaries

When Christie Blatchford Came Calling

She was interested in law and order, and only in law and order. That was both her strength and her limitation.

✎  WAYNE K. SPEAR ○ FEBRUARY 15, 2020 ○ Personal Essay

ON THE MORNING OF Monday February 4, 2008 I got a phone call from Christie Blatchford. I was the Director of Communications at the Aboriginal Healing Foundation and Blatchford was working on a series of articles for the National Post concerning the Yellow Quill First Nation, where the AHF had funded a project.

In a few years I’d be writing for the National Post myself, but I never got to know Christie Blatchford well. I’d long known of her work, and we’d had a few conversations. Even before I’d ever spoken to her I had inferred from her writing that she was tough and to-the-point. And she was. Her vocabulary was peppered with shits and fucks, which was fine by me. I knew why she was calling: she had a hunch that with a bit of digging she’d unearth nastiness. The Executive Director, Mike DeGagne, was lining his pockets, or perhaps we were funnelling dollars to the well-connected. Something had to be rotten in the state of Denmark, and Blatchford was calling me to work out exactly what it was.

After the call I wrote a briefing note and took it to Mike. He knew Blatchford’s writing, and so he knew as I did that she wasn’t exactly a champion of Indigenous perspectives. I had a standing policy with journalists, which was to educate them as best I could about the nature and importance of our work, and to win them over to the cause. If it took days or months or even years, so be it. My door was always open to them, and so was my phone line. I’d give them as much time as they wanted. Sometimes I found myself pushing on an open door, as was the case with media folks like Marie Wadden and Shelagh Rogers, but I knew that wasn’t going to be the case with Blatchford. She was a court reporter who’d seen the worst of humanity. For years my father was an OPP court officer, so I was well acquainted with the skeptical mindset that this work engendered. In fact I welcomed the skeptics because I understood them. So winning over Blatchford became something of an obsession.

I said to Mike, listen, I think I know what makes Christie Blatchford tick. She’s drawn to the courts because it throws the drama of human morality into sharp relief. The injustice she confronts there makes her churn wth indignation, and if we can make her see that we’re in the business of addressing historic injustices, maybe she’ll become as fierce an advocate as she is a critic. Imagine that! After all, I said, inside every skeptic is a disappointed idealist. Let’s invite her to the office and put every goddamn file in front of her, nothing hidden, and let her see with her own eyes that we are not the villains she imagines—and that to the contrary we are trying to do something of positive value.

It was an easy pitch, not that Mike ever resisted my counsel. He ran a transparent operation and in sixteen years no one ever caught us with our knickers round the ankles, although many of the best put their shoulder into it. I remember sitting at the AHF boardroom table with Curt Petrovich, an investigative reporter who cast a cold eye on our organization. He went away disappointed, as they all did. I’ll be candid and admit that I enjoyed the game. I had journalism in my background and respected people who were hard headed and tenacious and challenging. Suppose there was in fact corruption. Well, then we would have deserved to be brought down, and the fact is I admire the people who commit themselves to doing it.

When I was young and contemplating a career in journalism, Blatchford was living the life that I fantasized for myself. The by-line at a major outlet, fame, house parties where the booze flowed and the elbows of colleagues rubbed. Back then journalists could still believe they were doing something nobIe, even if it was bullshit, and there was no shortage of money to help them do it. That’s all gone. I was just old enough for the dying years of the old school of journalism, where newsrooms were loud and smoked-filled and a lunch would stretch well into the afternoon. Now the business of journalism goes about in eerie silence, and the changes are so remarkable and happened so fast (at least it seems that way now) that Kelly McParland and I got talking about it one day at the National Post’s headquarters. Some of the changes reflect the decline of the occupation, but most of the change is good. The alcoholism is no longer glamourized, and while journalism remains dominated by men, chauvinism is regarded more as a bug than a feature. Editors tell me they want a more diverse workforce and admit they have a ways to go. So there’s that.

Why this digression into the world of journalism? In my ideal world I would have won Blatchford over and, who knows, we might have become colleagues and even friends. But I was operating in the real world, where neither of these happened. Christie Blatchford made it very clear to me that she was interested in law and order, and only in law and order. That was both her strength and her limitation. When she realized there was nothing lurid to write about the Aboriginal Healing Foundation, nothing to get people outraged over, no human malfeasance to press into the ready forms of her worldview, she lost all interest. One day the calls just stopped, and she moved on.

I kept her phone number and her email and I suppose I also held to a remnant of my idealism, because I sent her an email later on, when she was writing articles about Caledonia. Once again, I tried to win her over. Christie, I wrote, there’s a long history leading up to the Haldimand Tract dispute, and if you really want to understand what’s happening today, and if you want your readers to truly understand, and to be informed, you need to look at that context. Nothing is going to change in this country until we come to terms with the past, I told her. And after all, isn’t it the job of a journalist to dig, and to present all the perspectives, and to make people understand?

Christie was a lot of things, but one thing she wasn’t was subtle. She had told me in no uncertain terms that she was only interested in punishing people who had broken the law, and I guess I should have left it at that. In any case, she never wrote back. ⌾

Terry Jones, 1942–2020

Terry Jones

He was known and loved for his wit and warmth

✎  WAYNE K. SPEAR | JANUARY 22, 2020 • Obituaries

FOR YEARS from the late 70s on Monty Python’s Flying Circus greased the PBS pledge drive engine. That’s how I discovered the eccentric British comedy troupe featuring Graham Chapman, John Cleese, Michael Palin, Eric Idle, Terry Gilliam, and Terry Jones. The show opened a portal to a genre of distinct, English comedy, and working my way back from Python I discovered The Goon Show, Beyond the Fringe, The Frost Report and more.

The habit of working one’s way back is something I shared with Terry Jones. He was an Oxford English major whose love of Chaucer seduced him into Medievalism. This interest would yield numerous television skits as well as films like Monty Python and the Holy Grail. An accomplished historian, his work — whether as director, writer, or comedian — derived from a fascination and familiarity with the past. Combine this with a subversive sense of humour and the results are signature Jones sketches like “Elizabethan Pornography Smugglers” and a satire of the Aristotelian syllogism, from Holy Grail:

Sir Vladimir: So, logically
Villager: (very slowly, with pauses between each word) If … she … weighs the same as a duck … she’s made of wood.
Sir Vladimir: And therefore …
Villager: A witch!

At the end of the 1960s Terry Jones was scripting similar absurdities for The Complete and Utter History of Britain and Twice a Fortnight. His collaborations with Michael Palin brought him into the orbit of John Cleese. Not that Cleese wasn’t already familiar with Jones’ work: both had been involved in The Frost Report months earlier, and the program Do Not Adjust Your Set had given Jones a good deal of exposure. All that aside, it was Palin who was top of Cleese’s list for a new program whose ideas for a name would include Toad Elevating Moment, Ow! — It’s Colin Plint, Owl-Stretching Time, A Horse, a Spoon and a Basin, and Gwen Dibley’s Flying Circus.

Terry Jones
The Norman Invasion, according to Jones, from Twice a Fortnight

In 1969 the Chapman-Cleese partnership already went back some years, to Cambridge (where Eric Idle had also been a student), but so too the Oxford based partnership of Palin and Jones. The formation of Monty Python’s Flying Circus was a merger of almae matres, by means of which the American Terry Gilliam became an honorary Oxonian. Still without a name for their project, Cleese and the others set up a meeting with Michael Mills, head of comedy at BBC. Mills asked them: What sort of program do you have in mind? No one was quite able to say. Okay, said Mills, but I’m only giving you thirty episodes.

Those of us who delighted in the intelligent absurdity of Python will remember Terry Jones foremost as a Pepperpot; Mandy Cohen, the mother of Brian in the Jones-directed Life of Brian, was a variant of this recurring figure. Or perhaps he will be remembered most as the bowler-topped City Gent, a stereotype of the dull but respectable British businessman that was in decline even as the Pythons were satirizing it. Other honourable mentions include Mr Creosote (“it’s wafer thin”), Ron Obvious, and the Nude Organist. Like his colleagues, Jones played types rather than roles, and his was often the stuffy, repressed, and scandalized upper-class Englishman, bewildered and befuddled.

After Python, Terry Jones applied his talents to television and books, producing Terry Jones’ Medieval Lives and Who Murdered Chaucer?: A Medieval Mystery. When Monty Python reunited in 2014 for a live performance, Jones struggled to memorize his lines and read from a teleprompter. This was the first indication of his illness, later diagnosed as frontotemporal dementia. Of course no one failed to see the cruel irony of this disease, whose effects include loss of empathy and of the ability to speak and write, striking a man known and loved for his wit and warmth. ⌾

Looking Back At Nirvana

Kurt Cobain

KURT COBAIN WAS NOT a generation’s representative, a spokesperson, or even a rock star. Many tried to press him into these and other molds, much to his frustration, but it happens that he was a songwriter always on the search for a new sound. When he died, by medical estimation on the fifth of April in 1994, some (among them R.E.M.’s Michael Stipe) believed he was about to abandon the grunge formula for which he had become known. There is evidence he was about to quit music altogether. In any case, the posthumous album, MTV Unplugged in New York, is the best indication we have of the band’s unrealized prospects. Perhaps Nirvana’s most accessible and widely known recording, Unplugged is an accomplished example of musical understatement, disclosing Cobain’s intuitive ability to compose songs (or in the case of The Vaselines, Meat Puppets, Lead Belly, and David Bowie covers, select them) which complement his particular vocal and playing styles.

Continue reading Looking Back At Nirvana

Margaret Thatcher was the enemy of the tepid, mushy middle

Margaret-Thatcher

AMONG THE GOOD Riddances this past week were exhibitions of ill grace from British citizens not yet born in 1979, the year Margaret Thatcher captured the office of Prime Minister. It happens that 1979 is a year I recall vividly — from the retreat of Pol Pot to the televised campaign ads of former California governor, Ronald Reagan, boasting (ironically, as it would turn out) his reduction of the public debt, to the Iranian hostage crisis. To remember the flavour of those days is to begin the accounting of Thatcher’s political successes.

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Remembering Jack Layton: 1950-2011

I WAS INFORMED of the death earlier this morning of Federal New Democratic Party leader, Jack Layton, by Twitter. There, in an uninterrupted chain of entries numbering in the dozens (and perhaps into the hundreds: I gave up counting) were expressions of sorrow. Never have I seen such universalism of sentiment, such spontaneous participation in a mood which appears to have touched everyone, really everyone, down to a person.

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The Obituary

One of my favourite literary genres, and in my view one of the most under-appreciated and misunderstood, is the obituary. Speaking of literature … it was a premature French obituary of 1888 which perhaps led Alfred Nobel to establish the Nobel Peace Prize. How painfully aware of his public relations problem he must have become, regarding himself in an obituarist’s rendering as “the merchant of death” and seeing his life’s work summarized thusly: he “became rich by finding ways to kill more people faster than ever before.” Continue reading The Obituary