Category Archives: Personal Essay

What Use is An Education?

Graz

For me, the year has always began in September. Though it’s been years since I was a student, every fall recalls the energy and optimism of the university campus at the launch of a new semester. These days however there is a note of pessimism arriving with the frosh, in newspaper articles which take as their point of departure a CIBC World Markets’ study entitled “Degrees of Success: The Payoff to Higher Education in Canada.” Rob Carrick reviews this study in the Globe and Mail (“Why some university students are doomed to below-average earnings”) as does Gary Marr of the Financial Post. At the CBC is an article and video titled “Many students asking if higher education is worth the debt,” and Robin Levinson asks at the Toronto Star “Is there any point to an arts degree?” All of these articles have drawn numerous comments, some of them thoughtful and some less so. A large, important and complex subject, “higher education” appears to be in a state of transition if not in crisis.

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The Return of the Fountain Pen

Wahl-Eversharp Doric in Kashmir, c. 1931

Above: a Wahl-Eversharp Doric in the colour “Kashmir,” c. 1931, after a restoration.

FOR YEARS I’ve been restoring old fountain pens. As I’ve written elsewhere, I enjoy writing with this now anachronistic instrument — and in fact I’ve used a fountain pen for so long that they may not yet have fallen out of favour when I bought my first (a Sheaffer No-Nonsense) in the late 1970s.

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Rock On, Rock Off: Reflections of an Ageing Musician

Bloomistry at the Rainbow Room, January 29, 2010, Ottawa, Ontario

TEN YEARS AGO, in 2003, an acquaintance of mine named Elaina Martin created Westfest. This free-of-charge Ottawa street music festival first took place on June 12, 2004, the year that Jane Sibbery was the headlining act. Elaina was then, as she would remain, what is generally termed a force. Every June since, with the help of local businesses and community volunteers, she has steered the festival to harbour. One of the highlights of my time in Ottawa was performing at Westfest 2010, on a bill with Sloan, a memory which came to the surface as the festival once again took to the stage on Thursday June 6, 2013.

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The Key Concept

images

HANS KÜNG, in his book Theology for the Third Millennium: An Ecumenical View, records the satirical line about the late-Renaissance pope Julius II — the Warrior Pope — in which the commissioner of Michelangelo’s infamous Sistine Chapel ceiling inserts the keys to his treasure vault into the locks barring entrance to heaven’s gate and is thereby denied.

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Furniture, of the Mental and Physical Varieties

turk_secondhandstore

IT MAY BE that you are aware of a weekly program of mine called “The Roundtable.” The table to which this title refers, and at which the show is recorded, was purchased in 1992 at a Kingston, Ontario antique store called Turk’s. Over the decades many have sat and drank and discussed and argued over this late 19th century furnishing. But even these twenty years are as nothing measured against the life which had similarly transpired (or perhaps dissimilarly: I shall likely never know) over this same table before I arrived to Princess Street one Spring afternoon, the requisite ninety dollars in my pocket.

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Why Do People Say Like So Much?

AT LEAST A FEW of you, dear readers, weren’t yet born thirty years ago when Frank Zappa and his daughter Moon Unit recorded “Valley Girl.” At that time I thought it was a clever piece of work, but that it must be an exaggeration, maybe even a fabrication, of San Fernando Valley speech. I’d never heard anyone talk that way in the small Canadian town where I grew up, and I expected I never would.

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Amanda Todd and the Importance of Clear Language

I‘VE NO OBJECTION in principle to NDP Member of Parliament Dany Morin’s motion this week to pursue a national bullying-prevention strategy. This proposal was conceived some months ago, but it is now widely mis-held to be an outcome of the suicide of fifteen year-old Amanda Todd. You are doubtless familiar with her appalling and sad and outrageous story, which has been widely reported and which has now got a great number of people talking about something called “cyberbullying.”

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In Praise of Rice

ONE OF THE most useful pieces of knowledge I’ve acquired is the proper cooking of rice. I was recently moved to Kingston and attending Queen’s University, sharing an apartment with two women who enjoyed wine and Moroccan, Thai, Persian, and Indian foods. Some years later I was living with a Chinese roommate who got me into the habit of using leftovers in the preparation of a Chinese familiarity, fried rice. The secret to a good fried rice, as I’ve already indicated, is the use of cold rice from the previous day’s meal.

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Going to the Antique Market

I DON’T KNOW when the antique market first got underway, but I suspect that like everything else the notion of an antique is era-specific. Mass industrial production of commercial consumer goods is an innovation whose origins are of slight remove, both geographically and historically. Before 1900, there were relative few objects to be bought and sold, near all of them hand produced in small number and bartered outside of the production and marketing cycles which now seem as inevitable to us as breathing. This is not to suggest that the idea of mass production had not yet occurred by the twentieth century. In textiles and food and furnishings and housewares, and a few other lucrative industries, industrial-based fortunes were amassed in the eighteenth and nineteenth centuries. But the antique, which by necessity requires time to develop, is a modern idea. And that is our present topic.

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Art (Deco) is Everywhere

I‘VE LONG BEEN a pursuer of the decorative style designated in the 1960s by the phrase Art Deco. Perhaps it’s best to begin this little piece of mine with something by way of definition. So: art deco is a visual style created in Paris in the 1920s and characterized by simple, linear and geometrical forms. This aesthetic was popularized at the 1925 International Exhibition of Modern Decorative and Industrial Arts, held in Paris between the months April and October.

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On Getting a Haircut

TODAY I HAD my hair cut at one of the many hip Toronto salons, and I found myself recalling the many haircuts I’ve had. Long ago, when my youthful hair was of unadulterated pepper, a haircut meant a visit to the barber. I don’t know that the word style was of any application to the trade, and in either case what a boy got from the barber of the 1950s to the early ’70s was always the same, at every visit and for every boy. I can’t imagine my mid-century european barbers, who had wielded a scissors and straight-razor through war and possibly also the Depression, submitting to the modish term hair stylist. But then, these were the days before everything, even life itself, became a style.

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