Jingle Bells
Obviously the bells jingle: that’s what they are made to do. Try “bells, bells all the way.” (See Strunk and White, “Omit needless words.”) Also, does the protagonist have some sort of objection to a multi-horse and/or closed sleigh? If so, explain; if not, cut. C-
Let it Snow
Do you really mean to say that the weather outside is filled with fright? If so, this is a pathetic fallacy. And who exactly is going to “let it snow”? Who could stop it snowing? Use the indicative mood to invigorate your prose. C
Chestnuts Roasting on an Open Fire
What is the significance of the chestnuts? You open the scene with them but don’t do much else. Remember: if there is a gun on the mantle in act one, it must be fired by act four. Perhaps the roasted chestnuts could explode and disfigure Jack Frost, or the reindeer could eat them and lose their powers of flight. This would create an interesting narrative problem for Santa to resolve. “Yuletide carols being sung by a choir” should be “a choir sings Yuletide carols.” Avoid passive voice. D+
Little Drummer Boy
What on earth is a pa rum pum pum pum? Does the drummer boy suffer from some kind of compulsive tick? Is he trying to communicate an important message. Is the pa-rum-pum-pum-pum akin to the “ou-boum” of E. M. Forster’s A Passage to India? Explore. D-
Rudolph, the red-nosed reindeer
If the nose is said to glow, then it is implicitly very bright. Show, don’t tell. D
Silent night
Silent? With the quaking shepherds and the streaming glories and the singing hosts. Do you know how many people are in a host? And they’re singing. Try editing this one with a view to making it about a rowdy night. C
O Christmas Tree
Twenty-four lines to establish that it’s a nice tree, because it has green and sparkly branches? Remember: brevity is the soul of wit. D-
Winter Wonderland
Too much going on here. First there are bells, then glistening snow. Why has the bluebird gone? And what is the significance of this “new bird”? Why even bring birds into it? Clearly this story is about a couple who are so eager to marry that they’ll let a snowman “do the job,” as you so vulgarly put it. The rest is just confusing. Cut. C-
Away in a Manger
The baby is either away, or else in the manger. I don’t understand how the protagonist can be in the barn, and then looking down from the sky—all within a few lines. This is fine if you are writing in a genre, such as science fiction, that allows for teleportation. Perhaps you could re-write this as an extra-terrestrial carol about futuristic travel. C
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WAYNE K. SPEAR 